Serafim, “Thespians in the Law-Court: Sincerity, Community and Persuasion in Attic Forensic Oratory”, in Andreas Markantonatos and Eleni Volonaki (eds.). Galanaki, “Conon’s sons and Meidias Ethopoiia and Hypokrisis in Against Conon and Against Meidias”, New Classicists 1 (2019) 21-40. Siron, Témoigner et convaincre: le dispositif de vérité dans les discours judiciaires de l'Athènes classique (PhD Thesis, Panthéon-Sorbonne University – Paris 1, 2017) 219. The Ancient Art of Persuasion across Genres and Topics (Leiden and Boston 2019) 319-335. Neger, “Pliny’s Letters and the Art of Persuasion”, in S. The Ancient Art of Persuasion across Genres and Topics (Leiden and Boston 2019) 249-269. Liao, “Demosthenes 18 as both symbouleutic and dicanic speech: an interpersonal analysis”, in S. ![]() Koopman, Over ekphrasis en het schild van Achilles Ilias18.478-608, Lampas 49 (2016) 195-208. Winkler, Classical Literature on Screen: Affinities of Imagination (Cambridge 2017, p. Serafim, Attic Oratory and Performance (Routledge 2017). The Theatre of Justice: Aspects of Performance in Greco-Roman Oratory and Rhetoric (Brill 2017, p. Kapparis, “Narrative and Performance in the Speeches of Apollodoros”, in S. The Theatre of Justice: Aspects of Performance in Greco-Roman Oratory and Rhetoric (Brill 2017, pp. Westwood, “The Orator and the Ghosts: Performing the Past in Fourth-Century Athens”, in S. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.More information: this article redefines the notion of ekphrasis as any account credited with the ability to bring images before one’s eyes, and shows that ekphrasis, when skillfully deployed as in Demosthenes 18 and 19, is a powerful weapon in the speaker’s arsenal. At the same time it provides an introduction to Roman comedy and elegy. Each scene uses new forms and vocabulary reinforcing the students grasp of grammar. This play is a unique text for students in their first semester of Latin. This text provides a dramatic addition to a Latin course, allowing students to read, speak and act out Latin comedy, with a vocabulary found in the second half of many first year Latin textbooks. This substantially revised edition includes new scenes and characters while reducing the overall quantity of unfamiliar vocabulary.Originally Auricula Meretricula was written as a companion to Wheelock but can be used in conjunction with any introductory Latin textbook. First published in 1981, Auricula Meretricula was greeted with enthusiasm by students and teachers, and is currently used in many classics departments in the US and elsewhere. At the same time it provides an enticing introduction to Roman comedy and elegy. ![]() Each scene uses new forms and vocabulary, thus reinforcing the students grasp of grammar by placing it in a living context. Auricula Meretricula is a unique play for students in their first semester of Latin. „Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.īuchbeschreibung Paperback. Originally Auricula Meretricula was written as a companion to Wheelock but can be used in conjunction with any introductory Latin textbook. This substantially revised edition includes new scenes and characters while reducing the overall quantity of unfamiliar vocabulary. Each scene uses new forms and vocabulary, thus reinforcing the students’ grasp of grammar by placing it in a living context. ![]()
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